so cheap and juicy

e-pic:

Greta Garbo by Clarence Sinclair Bull for MGM, 1931

e-pic:

Greta Garbo by Clarence Sinclair Bull for MGM, 1931

3 weeks ago on 4 May 2012 with 119 notes
   via thelmajordon   originally from e-pic  
#greta garbo 


Greta Garbo photographed by Clarence Sinclair Bull.

Greta Garbo photographed by Clarence Sinclair Bull.

(Source: ioweyoum-tin)

1 month ago on 24 April 2012 with 177 notes
   via 2831   originally from ioweyoum-tin  
#greta garbo  #slkdfja; 

halcyoniftedious:

Greta Garbo by James Montgomery Flagg

halcyoniftedious:

Greta Garbo by James Montgomery Flagg

1 month ago on 15 April 2012 with 20 notes
   via swintons   originally from halcyoniftedious  
#greta garbo  #pretteh 

1 year ago on 19 May 2011 with 626 notes
   via nakedelanor   originally from deathisflawless  
#greta garbo  #gpoy  #SHE JUST WANTS TO BE ALONE OKAY 


Favorite 3 4 Greta Garbo Photos | Req: vantine

Favorite 3 4 Greta Garbo Photos | Req: vantine

(Source: swintons)

1 year ago on 19 February 2011 with 134 notes
   via presentinglilymars   originally from swintons  
#greta garbo 

(Source: oldfilmsflicker)

1 year ago on 10 November 2010 with 32 notes
   via oldfilmsflicker   originally from oldfilmsflicker  
#i can't  #how were you even real  #greta garbo 

1 year ago on 29 September 2010 with 32 notes

#greta garbo 

Happy birthday, Garbo!

Happy birthday, Garbo!

1 year ago on 18 September 2010 with 150 notes

#greta garbo  #birthday blog 

14) Classic actresses | Greta Garbo

“Garbo still belongs to that moment in cinema when capturing the human face still plunged audiences into the deepest ecstasy, when one literally lost oneself in a human image as one would in a philtre, when the face represented a kind of absolute state of the flesh, which could be neither reached nor renounced.”
— Roland Barthes

14) Classic actresses | Greta Garbo

“Garbo still belongs to that moment in cinema when capturing the human face still plunged audiences into the deepest ecstasy, when one literally lost oneself in a human image as one would in a philtre, when the face represented a kind of absolute state of the flesh, which could be neither reached nor renounced.”

Roland Barthes

©detoulouse